Sunday, May 24, 2009

Curtains.

The origin of the phrase "Curtains", in the context of death and dying.

Of course, you are familiar with the concept of a curtain-call. The bow the entire cast takes at the end of a show. Each thesbian is damp with sweat and bright with the accomplishment of performing; Performing something to the best of their abvility, heart racing, eyes wide and gaping at the bright, back-lit applauding crowd before them.

They clasp hands and raise them up, swinging them down in a flourish, their bodies bowing in unison as a white, rushing roar fills their ears and a sweet, almost sickly sweet euphoria bubbles up in their throats. They will glance at each other, smiling and laughing and then extending a hand towards heaven or hell - the sound booth, the pit. And then, with a final triumphant stare out into the sea of unfamiliar and yet amazingly appreciative faces - they all turn and dart back behind the scenes, like specters, as if they never really were there to begin with. And then, the curtains close behind them, and the show is over.

Well this phrase comes from something a little less exciting.

Imagine a one man show. Imagine the nerves, seared throughout the performance, voice raw with emotion. Nothing and no one to feed off of out there amid the burning lights. Imagine the panic of no response - your own ears muting out the sound of 'oohs' or 'ahhs' from the audience simply from the rushing of your blood. Imagine the fear crawling in your gut when the last lines fall from your lips.

Imagine the poignant silence, the pause, the dead, weighty emptiness when the last word tumbles out and you are cast alone in the dark before the end. The lights are out and it is suddenly colder there, alone on the stage. No faces visible past the proscenium, no coughs, no cheering, just silence. Imagine the fear then. Imagine the fear as you step forward alone.

There are no hands to hold. They are empty at your sides as the light explodes above you, showering you in the heat, blinding you to the audience. Empty, sweating hands extended, you take your shaky bow. You might smile. Or be somber. Or proud, or cocky or even relieved. HOw will you feel?

No one will knwo if the audience will applaud or not. No one can tell you when the light is going to come back on to queue you on for your final bow. And when all that chaos subsides, and you can actually HEAR the response before you, and you react accordingly in your final, stage-bound moments... when you turn to leave...

Thats 'curtains.'

Tuesday, May 12, 2009

What did you expect?

Did you expect me to be merry? Filled with Mirth? Happily waiting for one day to end so another could begin? Hands clasped in patience, eyes gleaming with excitement? Bright eyed and bushy tailed, as it were? Did you expect me to come away clean, unwounded, not a speck of blood on my person from a violent battle? Unscathed? Did you expect me to clean house without sneezing once? Without rolling my aching shoulders or sitting to rest?

Who do you think I am? Some sort of God? Someone so perfect I am impervious to pain?

I am sorry to dissapoint you. But I am fearfully mortal. I am delightedly human. I am irreversibly Oru. What does that mean to you? Thankfully for me - absolutely nothing. You know nothing about me, my secure Oru-ness. You know nothing about how my eyes look now, how much green has fled from them to make way for the brown. You don't know how much they have dried out over days and weeks.

And if I were a God, I would be hollow. An unfeeling diety. Some cretaure more curious of the ways of man than sympathetic. I would stop and stare at my own displays and cock my head to the side in interest - then move along.

Like you did.

~Oru

Sunday, May 10, 2009

"Look at me and tell me who I am..."

"....why I am, What I am.... Call me a fool and it's true I am - 'cuz I don't know who I am."

Thank you Jekyll & Hyde the Musical for those few phrases.

Sometimes I do things with no idea of the why behind it. Sometimes I expect myself to adapt to situations that are impossible to acclimate to. And in that case - it's just a matter of which part of me is going to die first. Naive Youngster is already buried - so what goes next into the matching plot of earth? Perhaps my Imaginative artisan? Or my enthusiastic creator? Perhaps my ability to smile will evaporate, or my sense of morals?

What if I gained something in their place? I'd love to get something good, like a back-bone, fire in my blood, righteousness in my eyes, a humble genius or even a modest architect of fantastic dreams.... however I'm not that lucky, am I? For in place of my Naive Youngster I received Bitter Adult. And in place of a joyful heart I inherited a callous scar.

Better luck next time.